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From the article:
"In the late 1950s and early 1960s, when art and crafts were viewed in America as mutually exclusive disciplines, Ms. Tawney united them decisively and controversially. Trained as a sculptor and as a weaver, she combined several different techniques — plain weave, gauze weave, slit tapestry and open-warp weaving — to invent large, abstract and free-standing, or rather free-hanging, sculptural forms."


